KIRSTEN LEENAARS (RE)HOUSING THE AMERICAN DREAM: FREEDOM PRINCIPLES (Re)Housing the American Dream is an ongoing community-based performative documentary project…
(Re)Housing the American Dream is an ongoing community-based performative documentary project that explores the role of film as political action. (Re)Housing the American Dream: Freedom Principles explores the historical, cultural and personal notions of freedom through performative actions that have been developed collectively during a one-week intensive film production. The group spent a significant amount of their time exploring the roots to various freedom struggles in Milwaukee, specifically looking to the speech and actions of the youth chapter of the NAACP, who were instrumental in leading a number of civil rights protests in the city in the 1960s. Together, the artist and participants moved throughout the city, visiting the different historical sites where important civil rights actions took place. Marking, building, commemorating, (re)claiming, imagining, occupying, embodying, framing, performing, transmitting many facetted ways freedom can take form.
Part of (Re)Housing the American Dream: Freedom Principles. Participants imagine and describe their own face from memory.
Part of (Re)Housing the American Dream: Freedom Principles. The participants talk about the concept of freedom, its historical context and their personal interpretations. How does freedom feel, when do you not feel free, what freedom would you fight for?
Who are we, as the new generation of ‘freedom fighters’ advocates, organizers, leaders, change makers? What is our role, how can we take charge? How do we take action? What does action look like? What do we need in order for freedom to exist? What conditions? What freedom principles do we need?
What does it mean to be a body in public space? Is every body as free to move, to protest, to take up space, to celebrate? What does it mean to be a person of color, or female, or transgender, a Muslim, or a young black male, navigating public space? How is your body perceived? How is a collective body perceived? What kind of bodies is a collective body made of? How can we use our bodies to claim space, create space, space, mark space, protest, resist, shape? How does your body move towards freedom? What are the signs, the gestures your body makes? What is a choreography of resistance, of change?
What is the geographical, economical, historical, symbolic and metaphorical meaning of a bridge? How is the idea of a bridge connected to the idea of freedom? What does it mean to encounter someone else, ‘the other’? Can the other be a bridge, if so how, in what way? How does ‘the other’ impede, or give you your freedom? Are you independent of the other person, or do you depend on each other, rely on each other for your existence? How do you relate? What do you realize about yourself through encountering another person? We look at the philosophy of the philosopher Emmanuel Levinas. He states: when we come “face to face” with another person, the experience is a social and ethical one (rather than intellectual, aesthetic, or merely physical). Through encountering the other we realize our own vulnerability and our responsibility towards the other.